My Approach

I create hybrid short documentaries and editorial-style ads—authentic, raw, and made with speed and intention. These are typically shot in one or two days and edited just as quickly, making them ideal for brands with real stories to tell and limited budgets.

While I enjoy collaborating with a team, I often prefer working solo. There's something creatively liberating about doing more with less—it sharpens the focus and keeps things honest.

My visual language leans toward handheld shots, wide frames, and analog textures. I’d shoot on film every time if I could. But I’m also pragmatic: I’ve developed a flexible workflow that adapts to the realities of production—whether that means constraints of subject, time, or budget.

Most often, I shoot with a run-and-gun cinema camera, occasionally sneaking in a roll of 16mm on my Bolex for texture and nostalgia. A few aerial drone shots help establish scale and mood. And if the piece is character-driven, we’ll often end the shoot with an interview to use as voiceover, grounding the story in a personal voice.